Volume 21, No. 3,  June 2002

Features

  • A Memory of Long Ago with an Ever-Lasting Effect
     by Ellen Goldman
         Childhood memories of enameled objects are rekindled after a visit to the Sutton Hoo exhibition at the British Museum.

  • Limoges School Pictorial Enamels - Part 4:  The 19th Century Revival
    by Erika Speel
         The last of the Limoges School series, Erika discusses the revival in interest in Limoges-style enamel paintings in the 19th century, along with discussion on 'copyists' who reproduced some of the famous antiques.

  • Materials in Limoges Painted Enamels - Part 4:  The Transition Period and the 19th Century Revival
     by Heike Bronk & Stephen R–hrs
         The conclusion of the scientific study of materials used to develop painting enamels, focusing on the 19th century.

  • Overview of Enamel Manufacture - 1400 to 1700
     by Woodrow W. Carpenter
         Enamel developer Woodrow Carpenter gives a synopsis of materials used to produce ancient enamel wares.

  • Dave Berfield
         Dave Berfield shares his workspace and clues us in on how he works with other artists to manufacture large enamel panels and signage.

  • "Linea Libre" - "Free Line"
     by Valeria Serrudo
         The Argentinean organization "Linea Libre" dedicates itself to teaching the art of enameling to artists in South America.

  • Trends in Glass Beadmaking
     by Pam East
         Pam expresses her views on the future of glass bead making, and how it correlates to the enameling community.

  • The Sparton 500 "Cloisonne"
     by Ed Lyon
         Ed Lyon, of the Mid Atlantic Antique Radio Collectors, introduces us to this gorgeous enameled radio from the 1930's.

  • Torch Fired Enamel Beads
    by Pam East
         Pam demonstrates her technique for making enamel beads using copper tubing as a base.

 

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