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Volume 22, No. 1, February 2003
"A Time to Return" by Jenny Gore.
Enamel on copper, gold and silver foils; 100mm x 100mm.
The rock shape in foreground was left bare, showing how
the base colors have influenced the foils. The foil shapes
were all scrap leftovers, which became two famous
Australian icons when combined on this piece.
View more of Jenny's reticulation work
here.
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Features
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My Self Portrait - and
What was Left of It
by Ellen Goldman
Ellen Goldman recounts her
first foray into 3D work, and the piece that resulted from
the experience.
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Silver Foil Eaten by Acid
by Hugo Ostermann and Valeria Serrudo
Hugo and Valeria detail a technique
in which silver foil is protected by a resist, then the
exposed foil is removed using the corrosive nature of
acid. The remains leave a startling and beautiful
effect.
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Breaking Through - 533 Liquid Form
Enamel
by Ora Kuller
In this follow-up to Bill
Helwig's article on Liquid Enamel breakthrough (vol.
21, no. 5), Ora Kuller reviews what she learned in
Bill's Arrowmont workshop in 2001.
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Breaking Through - Step by Step Swans
by Ora Kuller
Ora shows her use of the breakup
technique with 533 liquid enamel in a step by step
pictorial.
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Enamels for a New Baptismal Font
by Terry Gay Puckett
Terry Gay Puckett's account of
her enamel commission for a church in San Antonio, Texas.
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Trip to USA 2002
by Jenny Gore
Australian enameler Jenny Gore
recounts her travels through the United States on a
whirlwind workshop tour.
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Why Not Try Some Reticulation?
by Jenny Gore
Jenny shows us how to add a new
dimension to the use of gold and silver foils.
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Inview - Werner Rodolfo Ostermann;
Pioneer of Enameling in Argentina
by Valeria Serrudo
Werner Ostermann educated an
entire country on the medium of glass on metal, and
influenced his offspring to follow in his footsteps of
promoting our art.
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