




















|
Introduction to Enameling
|
What is Vitreous Enamel?
|
|
Vitreous enamel is glass bonded by
fusion to a metal surface. The most common glass is a
fusion of silica, soda, lime, and a small amount of borax.
Though normally transparent, various amounts of opacity can be
produced by adding or growing crystals within the glass
structure. A wide range of colors are produced by
incorporating certain elements, mostly transition metals. The physical
properties of glass can be controlled to permit bonding to most
metals, for example: gold, platinum, silver, copper,
steel, cast iron, aluminum and titanium. The word
"Enamel" refers to the glass material, as well as to
the finished product.
|
|
How is it done?
|
Enamel (glass) is crushed to a powder somewhat finer than
granulated sugar and somewhat coarser than flour. This
powder is applied, by one of several methods, to the metal
surface. Next, the article is heated to 1000-1600ƒF,
either in a preheated furnace, or with a hand-held torch.
After 1-1/2 to 10 minutes, the article is removed and allowed to
cool to room temperature. Subsequent coats, normally
different colors, are applied. Sometimes 10-20 firings are
required to bring about the desired results.
|
|
What is it's history?
|
We do not know when or where enameling
originated. The earliest known enameled articles are six
enameled gold rings discovered in a Mycenaean tomb at Kouklia,
Cyprus. The rings date from the thirteenth century B.C.
|
|
|
|
The Greeks were
enameling gold jewelry as early as the 5th century B.C.
Caesar found the Celtic inhabitants of Britain enameling in the
1st century B.C. During the Byzantine era, 4th through
12th centuries, numerous enamel religious works were made.
Fifteenth century artisans in Limoges, France, perfected the use
of enamels in a painting technique. The 17th, 18th and
19th centuries and the early decades of the 20th century saw the
production of a great volume of luxury and decorative enamels,
made in many different centers. Since the last third of
the 19th century, both Japan and China have exported an
abundance of enamel as cloisonnÈ - the name of the technique.
Starting early in
the 19th century, it was realized enamel could be used for
utilitarian purposes. First in pots and pans for cooking,
then stoves, refrigerators, kitchen sinks, bathtubs, home
laundry appliances, architectural panels, etc.
|
|
Who Does it?
|
|
Utilitarian enamels are made in large
factories, while artistic enamels are made by thousands of
individual artists throughout the world. We see enamels
exhibited at schools, arts and crafts shows, art galleries,
museums, and rare examples have sold at auction for more than
3-1/2 million dollars.
|
|
What is a quality enamel?
|
|
A quality work of enamel art should have a sense of design, a
feeling for proportion and appropriate color and
texture.
Transparent enamels should be
jewel-like. Firing of all enamels should be sufficient to
insure a permanent bond of glass to metal. The work should
show that the artist has full control of the technique and
materials.
|
|
What are the techniques?
|
|
CloisonnÈ, ChamplevÈ,
Plique a Jour,
Grisaille, Basse Taille,
Camaieu, Sgraffito, Scrolling - to
name
a few.
|
|
Can I do it?
|
|
Yes!! Enameling, like painting,
is for all ages at various levels - hobby, craft, decorative
art, minor art and fine art - depending on the enameler's
ability.
|
|
How can I learn?
|
Classes are offered by enameling
guilds, inde-
pendent enameling instructors, art and craft
institutions, and schools. Many
enamelers are self taught,
their only help being a book discovered by chance in their
library or book store.
|
|